For more than twenty years I dedicated myself almost exclusively a research on the celadon. I have create forms specific to this work.
I use a personal technique of sculpture which consists in cutting forms in a block of clay by means of a flexible blade.The pieces are then enamelled by dumping.The current work bears the generic name of “calligraphy of clay”. As well as we draw a fast line on a paper sheet, I draw a shape with the flexible blade in the mass of wet clay.
What interests me, it is the imprint left by the gesture.